Olympic Games in London is giving the impression to all the
people in this hemisphere with the atmosphere and appearance of the opening of
the spectacular and extraordinary enough to spend a lot of cost. In order to
open London Olympics as the host for this now very pleased to work with the
committee and local people in implementing these Olympics. You all can see the
various events and various committees and members in the opening game of the
Olympics is doing a lot of very horrendous and attractions with a unique style
and incredible. The stage looks colored with fireworks that surround the city
of London event is invite tens of thousands of spectators and the athletes
themselves attend Olympics opening ceremony.
Organisers have attempted to keep details of the
curtain-raiser firmly under wraps. Today's images were released after rehearsal
footage of the ceremony was removed from YouTube.
Some spectators published video online of last night's sneak
preview of the spectacular despite an appeal from the show's artistic director,
Danny Boyle, not to spoil the surprise. Recordings of the ceremony were removed
from the website on "copyright grounds", while Twitter users were
urged to report any leaked footage of the rehearsals.
A YouTube spokeswoman said: "As always, when we're
notified that a particular video uploaded to our site infringes another's
copyright, we remove the material in accordance with the law."
Games organisers asked thousands of people who were invited
to two sneak previews of the ceremony to refrain from circulating any revealing
pictures or videos taken inside the Olympic Stadium.
The rumours about Danny Boyle started swirling around in the
summer of 2010. He was going to be involved with the opening ceremony of London
2012; he was going to be advising fellow director Stephen Daldry; he was
actually going to direct the ceremony. I was aghast. I genuinely believed that,
after working with him on a book for a year, this story was way off the mark.
Why on earth would Boyle, the director who keeps the Best Director Oscar he won
for Slumdog Millionaire in a discreet blue shoebag, want anything to do with
the Olympic Games?
After an early screening of 127 Hours at the start of August
2010, I stood at the bar and teased Boyle about the rumours. He looked
unusually stern. He said nothing. I realised in an instant that he had accepted
the job. He was actually going to be artistic director of the opening ceremony.
Initially, I remained baffled. But slowly it began to make sense and I realised
it was more instructive to ask why he wouldn’t do it.
If he’d turned it down, he would never know what he’d missed
out on. And why wouldn’t the most successful British director of recent years -
eight Oscars for Slumdog and cult status for earlier films such as Shallow
Grave and Trainspotting - take on one of the toughest and most exacting
directing jobs on the planet? After all, Boyle relishes a challenge. He thrives
when working under stress. Even in the middle of filming he fizzes with energy
and enthusiasm. He can see the bigger picture and yet, even if proving himself
human by teetering on the edge of exhaustion, doesn’t let the smallest of details
go.
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